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Kathleen Folbigg’s memoir, an ode to condiments and ‘a work of art’: the best Australian books out in September

Each month Guardian Australia editors and critics pick the upcoming titles they have devoured – or can’t wait to get their hands on

The X-Men are heading to the Marvel Cinematic Universe. Things will get weird

An X-Men reboot is in the works, but how will the studio integrate the alternate timelines? Will it use the Blip again? Some chaos magic from Scarlet Witch? The Celestials from Eternals even? Let’s consider the options

‘It was the Nasa of puppetry’: how we made 1990 kids movie Teenage Mutant Ninja Turtles

The performers and director of the original TMNT film describe how they battled hellish costumes and slippery sets to bring their tale of family bonding and kung fu to life

‘They all looked the same, they all dressed the same’: has Hollywood distorted the Smurfs’ communist roots?

In Chris Miller’s new film, a Smurf is told to ‘believe you were born great’. But does this approach contradict what Peyo’s original Smurfs stood for?

Taika Waititi to take on new Judge Dredd movie

Oscar-winning writer-director, known for Jojo Rabbit and Thor sequels, attached to new take on comic book character

Superman review – is it a bust? Is it a pain? James Gunn’s dim reboot is both

The Man of Steel – played with square-faced soullessness by David Corenswet – has an uninteresting crisis of confidence in Gunn’s cluttered, pointless franchise restarter

The Eternaut speaks to our uneasy times – that’s why this cult comic has become a global Netflix hit

There are no happy endings in this Argentinian sci-fi thriller – but it has already inspired real-world protests, says journalist Jordana Timerman

Spent by Alison Bechdel review – the graphic novelist faces up to midlife

In this playfully fictionalised memoir, Alison runs a pygmy goat sanctuary while making a name for herself on stage and screen

James Gunn’s new Superman is more human than alien god – but can he still inspire awe?

Far from 1978’s morally noble colossus, Gunn’s Man of Steel is a flawed being – but perhaps he can allow us to hope for a better world

Ginseng Roots by Craig Thompson review – a genre-defying graphic novel about class, religion and globalisation

Can you tell the American story via ginseng? Thompson’s funny, moving and exquisitely drawn work has a go

Has Marvel shot itself in the foot by bringing superfreak Sentry into Thunderbolts*?

The inconveniently irrational god-being makes Rocket Raccoon look positively humdrum. Would it be wise to let him monopolise the multiverse?

Francis Ford Coppola unveils Megalopolis graphic novel

In a statement, the 86-year-old director of the critical and box-office flop said the book confirms his feeling that ‘art can never be constrained’

Heartstopper to end with feature film finale

Alice Oseman’s hit series starring Kit Connor and Joe Locke will end with a story based on the as-yet-unpublished sixth book, with the pair facing a long-distance relationship

Baby boomers: if Sue Storm is pregnant then what’s going to happen in the Fantastic Four’s first outing?

That Vanessa Kirby’s character might be having a baby raises mind-bending questions about the trajectory of Matt Shakman’s instalment of the new Marvel franchise

Adventurer, horse photographer, killer: Eadweard Muybridge’s extraordinary life told in a comic book

He is famed for being a pioneer of the moving image – but there was so much more to Muybridge than that. The great graphic novelist Guy Delisle explains why he turned his life into a rollicking read

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  • Maggie O’Farrell and fellow judges award inaugural Hilary Mantel prize for fiction
  • Tell us: what have you been reading this month?
  • Enough Said by Alan Bennett review – a man for all seasons
  • The News from Dublin by Colm Tóibín review – subtle short stories about being far from home
  • ‘It’s got real sass!’ Irvine Welsh chooses new life for Trainspotting as a stage musical
  • Minor Black Figures by Brandon Taylor review – portrait of a working-class artist in New York
  • We Know You Can Pay a Million by Anja Shortland review – the terrifying new world of ransomware
  • ‘In 20 years most of the world could be racist dictatorships’: Ibram X Kendi on book bans and far-right fear-mongering
  • Is time a figment of our imaginations?
  • Dan Simmons obituary
  • We are living in a period of political anti-intellectualism. But in pop culture, clever is the new cool
  • The Melbourne man who loves libraries so much he created his own – and it’s so huge he needs two homes to house it
  • Under Milk Wood review – dark fairytales swirl around Dylan Thomas’s evergreen village
  • ‘I’ve learned first-hand how evil is tolerated’: Colm Tóibín on living in the US under Trump
  • The Guardian view on anonymity in art: the ‘unmasking’ of Banksy and Ferrante should stop
  • Hachette pulls horror novel Shy Girl after suspected AI use
  • Small Island review – Windrush epic speaks to our era with startling clarity
  • The Salt Path author published earlier book under alias, despite debut claims
  • The best recent crime and thrillers – review roundup
  • Ted Booth obituary
  • Chain of Ideas by Ibram X Kendi review – anatomy of a conspiracy theory
  • University of Liverpool acquires entire archive of poet Roger McGough
  • Margareta Magnusson obituary
  • PEN America announce 2026 World Voices festival with Judith Butler and Bill McKibben
  • The Barbecue at No 9 by Jennie Godfrey audiobook review – secrets and lies in suburbia
  • The Minstrels by Eva Hornung review – an audacious, confronting epic
  • Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture
  • Mare by Emily Haworth-Booth review – profound story of a woman’s love for a horse
  • Derek Owusu and Seán Hewitt shortlisted for Dylan Thomas prize
  • Future of William Wordsworth’s Lake District home secured for the public

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