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David Malouf, Australian author of Remembering Babylon and Ransom, dies aged 92

Acclaimed Brisbane-born writer was known for his work exploring his own childhood, great myths and colonial Australia

Susan Choi and Lily King shortlisted for Women’s prize for fiction

The US writers join four debut authors in demonstrating ‘the complexity and beauty of the female experience’, said chair of judges Julia Gillard

The Shadow of the Object by Chloe Aridjis review – one of the boldest writers at work in English today

This fable-like novella about technologies of illusion and a life-changing friendship in Mexico City is enchanting

See You on the Other Side by Jay McInerney review – the clumsy finale of a classic New York series

The bright young things of 1992’s Brightness Falls are now in their 60s in this verbose, clunky novel that seems more interested in lifestyle than inner lives

From Manifesto to Mr Loverman: Bernardine Evaristo’s best books – ranked!

From the secret gay life of a British-Caribbean man to that controversial shared Booker win, the author has blazed a trail across the literary landscape. Here are seven of her top titles

The Illuminated Man by Christopher Priest and Nina Allan review – an unconventional portrait of JG Ballard

The biographer’s terminal illness and death is woven into this original and moving account of Ballard and his work

Son of Nobody by Yann Martel review – Life of Pi author discovers a long-lost poem from Troy

An epic poem about the Trojan war is merged with the domestic heartbreak of the scholar who discovers it in this ambitious, structurally problematic novel

My Phantoms author Gwendoline Riley on winning $175,000: ‘It was unimaginable. I felt overwhelmed.’

Renowned for her darkly funny novels exploring failed relationships, the writer has been awarded the Windham‑Campbell prize for a body of work. She explains why it will change her life – if not her outlook

Yann Martel: ‘I hate the rich people of this world – of which I’m one, because of Life of Pi’

The Canadian author on good writing advice from Martin Amis, his love for digging and getting rid of billionaires

Kae Tempest on creativity and his gender transition: ‘I’m just glad to be alive’

Ten years after his debut novel, the poet and musician has written a follow-up exploring self-discovery and a life lived on the edge. He talks about sexuality, pronouns and drawing strength from the literature he loves

The best recent crime and thrillers – review roundup

The Keeper by Tana French; The Kindness of Strangers by Emma Garman; Mrs Shim Is a Killer by Kang Jiyoung; A Killer in the Family by Amin Ahmad; The Drowning Place by Sarah Hilary

Griefdogg by Michael Winkler review – a cryptic, beguiling tale about a man who turns into a dog

Winkler’s latest novel is ambitious, compelling and bleakly comic; it scratches a metaphysical itch you didn’t realise you had

Yesteryear by Caro Claire Burke review – the downfall of an all‑American tradwife

The premise – Instagram influencer is confronted by pioneer reality – is genius. But does this high-concept debut live up to the hype?

Communion by Jon Doyle review – a charged debut about sin and solace

A man who meant to be a priest is faced with a moral crossroads in this ambitious and affecting first novel

All Them Dogs by Djamel White review – murderous desires in the badlands of Dublin

Sparks fly in this homoerotic dance of desire and betrayal, from a powerful new voice in Irish literature

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← Older posts
  • David Malouf, Australian writer whose work spanned the ancient world and 70s Brisbane
  • David Malouf, Australian author of Remembering Babylon and Ransom, dies aged 92
  • The Asset Class by Hettie O’Brien review – the hidden hand of private equity
  • University of Queensland Press cancels children’s book over illustrator’s post on ‘Zionist framing’ of Bondi attack
  • US saw record high of 5,668 books banned in libraries in 2025, says agency
  • Susan Choi and Lily King shortlisted for Women’s prize for fiction
  • The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool
  • The Shadow of the Object by Chloe Aridjis review – one of the boldest writers at work in English today
  • What went wrong in Israel? A genocide scholar examines ‘what Zionism became’
  • Hotel Exile by Jane Rogoyska review – the remarkable story of a wartime institution
  • See You on the Other Side by Jay McInerney review – the clumsy finale of a classic New York series
  • Ghost Stories by Siri Hustvedt review – life after Paul Auster
  • Lord Skidelsky obituary
  • John Keats’s love letters returned to owner after being stolen in the 1980s
  • Houdini’s reappearing act: David Haig’s new play lays bare the magician’s dispute with Conan Doyle
  • ‘Deliciously dark’: how Freida McFadden’s twisty thrillers gripped millions of readers
  • From Manifesto to Mr Loverman: Bernardine Evaristo’s best books – ranked!
  • The emotional security secret: how to get healthier, happier and have stronger relationships
  • Primavera review – Vivaldi’s Four Seasons is school-of-Salieri backdrop for period musical biopic
  • The Illuminated Man by Christopher Priest and Nina Allan review – an unconventional portrait of JG Ballard
  • Son of Nobody by Yann Martel review – Life of Pi author discovers a long-lost poem from Troy
  • ‘The Moon and The Zoo’: Simon Armitage poem celebrates 200 years of ZSL
  • ‘Every time I write, I doubt myself’: Michael Rosen at 80 on deep grief, self-belief and chocolate cake
  • Independent bookstores make quiet comeback as big chains dominate retail
  • ‘How much have we missed?’: book tunes in to overlooked world of female birdsong
  • How to train your brain to see possibility instead of doom
  • ‘After all the horrible things we’ve been through,’ he said to me, ‘if I die of cancer, it will make a bad story’: Siri Hustvedt on losing Paul Auster
  • My Phantoms author Gwendoline Riley on winning $175,000: ‘It was unimaginable. I felt overwhelmed.’
  • ‘Women want to experience pleasure’: how the female gaze caught the attention of film, TV and fiction
  • Yann Martel: ‘I hate the rich people of this world – of which I’m one, because of Life of Pi’

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