As a new book coming out this autumn charts the rise of text in art, take a look at some of the surprising ways artists have used language to transform their works
Barbara Kruger, Untitled (Skin Tight/Skin Tone/Under the Skin/Skin Deep/Thin Skin), 2007Photograph: Courtesy Mary Boone Gallery, New YorkCarey Young, Declared Void (2005)Photograph: Courtesy the artist and Paula Cooper Gallery, New YorkChromogenic print, enamel on aluminium, clear resin coat Photograph: Courtesy Galerie Grita Insam, ViennaJohn Baldessari, I Will Not Make Any More Boring Art (1971)Photograph: Courtesy the artist, Marian Goodman Gallery, and Sprüth MagersJonathan Monk, Let's Both Give it My Attention (2005)Photograph: Anders Sune Berg/Courtesy of Galleri Nicolai WallnerLiam Gillick, The Commune Itself Becomes a Super State (2007)Photograph: Marcus Leith/Courtesy Corvi-Mora, LondonMark Titchner, How to Change Behaviour (Tiny Masters of the World Come Out), 2006 Photograph: Courtesy the artist and Vilma Gold, LondonMartin Creed, Work No 755, Small Things (2007) Photograph: Ellen Page Wilson/Courtesy Gavin Brown's enterprise, New YorkMel Bochner, Language is Not Transparent (1970) Photograph: Courtesy the artist and the Los Angeles County Museum of ArtNathan Coley, We Must Cultivate Our Garden (2007) Photograph: Peter Dibdin/Courtesy the artist and doggerfisher, EdinburghRichard Long, Flash Flood (2004)Photograph: Courtesy Haunch of Venison 2009Bob and Roberta Smith, Tate Modern (2008)Photograph: Copyright Bob and Roberta Smith/Rhode Island School of Design, USASimon Linke, White Cube (2007)Photograph: Courtesy the artist and One in the Other galleryStefan Brüggemann, I Can't Explain and I Won't Even Try (2003)Photograph: Courtesy the artist and Yvon Lambert, Paris and London