Alison Flood 

First novel inspired by CIA’s Doctor Zhivago plan nets $2m book deal

Lara Prescott’s We Were Never Here recounts how the CIA used Boris Pasternak’s novel as a propaganda tool during the cold war
  
  

Author Lara Prescott
‘Humbled and thrilled’ … Lara Prescott. Photograph: Matthew Prescott

Last month, Lara Prescott was preparing to graduate from her three-year creative writing fellowship at the University of Texas. Two weeks later, she is sitting on book deals worth at least $2m (£1.5m), after publishers on both sides of the Atlantic battled to get their hands on her first novel.

Prescott’s We Were Never Here tells the story of how the CIA smuggled copies of Boris Pasternak’s classic novel Doctor Zhivago into Russia during the cold war in an attempt to seed unrest. Drawing from the voices of Pasternak’s mistress and muse Olga, as well the women of the CIA typing pool involved in the mission, the novel provoked a fierce bidding war when it was submitted by Prescott’s agent last month.

In the UK, 12 publishers fought for the novel, with Penguin Random House publisher Selina Walker winning the bid with a “high six-figure” offer. In the US, Knopf is reported to have paid a seven-figure sum, beating 13 other publishers to the debut. According to Publishers Weekly, this was not the highest bid, but Knopf’s history as the original publisher of Doctor Zhivago helped clinch the deal.

We Were Never Here has since sold in nine other countries, with six more international sales pending. Prescott, a political campaign consultant before she landed the prestigious Michener Centre for Writers fiction fellowship, pronounced herself “humbled and thrilled” at the situation.

Prescott began writing the novel in 2015 after reading newly declassified documents about the CIA’s clandestine involvement in the Russian publication and dissemination of Doctor Zhivago. The documents, with redacted names and blacked-out details, inspired her to “fill in the blanks with fiction”, she said.

“Zhivago’s plot revolves around a love story between Lara Antipova and Yuri Zhivago. But its depictions of the October revolution and the Russian civil war, as well as its themes emphasising the importance of individual freedom in the face of the USSR’s enforced collectivism resulted in the novel being deemed subversive by the state. But to me, Zhivago is more about life and love than politics. It’s about individuals who think and laugh and love for themselves,” she said.

One of the declassified documents revealed that the head of the CIA’s Soviet-Russia division argued in 1958: “Pasternak’s humanistic message – that every person is entitled to a private life and deserves respect as a human being, irrespective of the extent of his political loyalty or contribution to the state – poses a fundamental challenge to the Soviet ethic of sacrifice of the individual to the communist system.” Another document states: “We have the opportunity to make Soviet citizens wonder what is wrong with their government when a fine literary work by the man acknowledged to be the greatest living Russian writer is not even available in his own country in his own language for his own people to read.”

The story of how “governments once believed books could change the world” was “one that needs to be told, perhaps now more than ever”, said Prescott.

“During the cold war, eastern and western governments believed literature could be weaponised to change ideologies. Today, tweets, bots and Facebook posts may be propagandists’ weapons of choice, but 60 years ago, the Soviets and Americans used books,” Prescott said. “As the CIA’s chief of covert action stated in a 1961 secret report to the Senate, books differ from all other propaganda media. ‘One single book,’ he wrote, ‘can significantly change the reader’s attitude and action to an extent unmatched by the impact of any other single medium.’”

Walker said she loved We Were Never Here “from its very first sentence”, and knew “we absolutely had to publish it”.

“It’s the best type of historical fiction that enlightens the reader while keeping us gripped to the page. It’s about hidden heroes, secret passions, heartbreak and suffering, and the power to endure. Most of all, it’s about an extraordinary book, and how its contents had the power to change readers’ lives – something that resonates with us today as much as it did in the 1950s when Doctor Zhivago was first published,” she said.

We Were Never Here will be published in spring 2020.

 

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