Anita Sethi 

The Song Machine: Inside the Hit Factory by John Seabrook review – the nuts and bolts of the songwriting process

The New Yorker writer examines the link between music and machines in this entertaining if uneven book
  
  

Rihanna, T in the Park
Rihanna performing at T in the Park in 2013. What makes a song ‘hit the ear right’? asks Seabrook. Photograph: Ollie Millington/WireImage Photograph: Ollie Millington/WireImage

“One cannot live outside the machine for more perhaps than half an hour.” Virginia Woolf’s resonant words are the epigraph to this engrossing book examining modern-day musical developments, focusing on the rise of “machine-made music” manufactured by “hitmakers”. The best parts of this entertaining, though uneven, book brilliantly lay bare the nuts and bolts of the song-making process.

New Yorker staff writer Seabrook’s musical adventures encompass the US, UK, Sweden and Korea, and range from Kraftwerk to Rihanna, as he elucidates the inner workings of the industry and considers the relationship between talent and technology.

Most interesting is the interplay between music, machines and the mind: what makes a song “hit the ear right”; how people “become emotionally engaged”. Seabrook subtly explores not only the insides of a song, but how a song gets inside us.

The Song Machine is published by Jonathan Cape (£16.99). Click here to buy it for £12.99

 

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