Fay Weldon webchat – as it happened

The prolific novelist is publishing a career-spanning short story collection, Mischief, and answered your questions – tackling everything from contemporary feminism to the fascination with the upper classes
  
  

Fay Weldon
Fay Weldon at her home in Dorset. Photograph: Antonio Olmos for the Observer Photograph: Antonio Olmos/Observer

That's a wrap

That’s everything from Fay – many thanks to her for taking part. Her new book Mischief is available now.

Claribelle52 asks:

Dear Fay, I have read a lof of your book but my favourite has to be Heart of the Country, definitely of its time and the TV adaptation was great too - perhaps the beeb will show it again! Do you feel saddened as I do by the current lack of feminism awareness of the younger generation ? and by that I mean anyone 40 or younger really!

User avatar for FayWeldon1 Guardian contributor

Heart of the Country was a 1987 BBC mini-series (which had a young Christian Bale in it!). The novel was written after the TV show, when I realised that one of the the minor characters was actually the major one, so it was much changed. I think it's the favourite of all my novels.

As for your other question: yes, some of the younger generations can make one despair. But you should meet my creative writing students – feisty, energetic, perceptive, free-thinkers all. Feminism is in their bones, they just don't talk about it all the time. I have great hopes of the future.

Monica Cafferky asks:

Hi Fay, do you think there is a trend towards people reading more shorter fiction? If so why? Love your new novella, by the way, it’s the first sci fi ghost story that I have come across.

User avatar for FayWeldon1 Guardian contributor

Yes, I think the advent of the e-book has reconciled publishers to the shorter story. People are short of time. There is so much to be said and so little time to say it in.

"Writing short stories is a way of getting short, sharp ideas out of my head"

Heather Kaye asks:

So you’ve turned your attention to the short story with this new book, Mischief. Do you have a preference on form – short story or novel? Who is your favourite short story writer?

User avatar for FayWeldon1 Guardian contributor

It rather depends in how much you've to say. I've been interspersing short stories with novels since I began - writing them is a way of getting short, sharp ideas out of my head when I'm concentrating on something else so I can get back to the novel. The first one in the book is 1975.

My favourite short story writer is Helen Simpson.

Updated

Teresah asks:

I have so many hilarious stories rattling around in my head that I think would make great books - did you know that your stories were going to appeal or did you just take a leap of faith?

User avatar for FayWeldon1 Guardian contributor

Leaps of faith, every one.

JustineJordan asks:

Do you have a favourite among the short stories you’ve picked for Mischief, and if so, why?

User avatar for FayWeldon1 Guardian contributor

A Knife for Cutting Mangoes. Short and sweet and makes its point.

stevespunker asks:

Hello Fay, do you think we have progressed since you appeared on the BBCs Hypotheticals with Cat Stephens?

User avatar for FayWeldon1 Guardian contributor

ID3129761 asks:

I am fascinated to read about your return to an ‘Upstairs Downstairs’ setting for your new novel, ‘Habits of the House’. Why do you feel depicting masters/mistresses and servants is still relevant to contemporary life?
And did you enjoy depicting food as a symbol of class difference?

User avatar for FayWeldon1 Guardian contributor

Because readers are still fascinated by it – the 'secure times when everything moved slowly and letters went by post and everyone knew their place'. We can be glad that things have changed, but at least the big houses provided a good livelihood and opportunities for promotion – better than working on the land or in a factory which was the fate of most girls! Going 'into service' was a way out for many of them, when the marriage rate was only 1 in 3.

And yes, everything was fun about writing Habits of the House and the two sequels.

OddFellow asks:

How is Rupert your grandson? Used to know him in Blandford, Dorset.

User avatar for FayWeldon1 Guardian contributor

Rupert's actually my step grandson: he's thriving in Brighton – one of the two best jazz drummers I know along with my grandson Felix Weldon.

"What makes misogynists angry are the women who deny there is any difference in the genders"

clareyesno asks:

Do you think women have never had it so good? It sometimes feels like misogyny is at an all-time high (particularly online), despite all the advances that have been made in the last three or four decades.

Also, given your time as a creative writing teacher, what are the things that aspiring writers most often get wrong? Free tips please!

User avatar for FayWeldon1 Guardian contributor

We have it good insofar as we now all have important choices – to marry or not marry, have children or not, and so on. What we can’t choose is not to go out to work! Since women joined the labour market one male wage is not enough to support a family.

Men are misogynist anonymously, online. Perhaps they’re not always so bad at home. But they’re fairly angry. And I think what makes them angry are the women who deny there is any difference in the genders; not just that women are as good as men at most things, but that they are men. Men’s experience of women is that they are very different indeed, that they are emotional rather then rational, taking offence at the slightest thing, and all that.

And let me refer you to ‘tips for writers’ on my web site. They’re there in abundance.

Updated

Melmouth asks:

Do you regret making the comments you made about rape a few years ago (which were interpreted in some parts of the media as “Fay Weldon says being raped isn’t a big deal”)?

User avatar for FayWeldon1 Guardian contributor

Certainly better if I had said nothing. What I actually said was ‘Rape is not the worst thing that can happen to a woman.’ Worse, I had in mind, was to be raped and then murdered, which still seems to me to be the case. The response I got seemed to me to be very much along ‘death rather then dishonour’ lines, which so afflicts women in other parts of the world.

newyorkred asks:

What are your feelings about the vitality of literary fiction in our newly electronic age? How does the reception of new work feel when compared with publishing work in the 1960s or 70s, say?

User avatar for FayWeldon1 Guardian contributor

With Mischief the reception has been pretty good. Writers go on being writers. Some kinds of writing suit the electronic age, some don’t, I think it depends on what one writes. Ebooks are for people on the move, mostly young. Print books are for people in a contemplative mood. A few cross the barrier. Certainly in the 60s and 70s more newspaper space was devoted to literature, and reviewers tended to be more knowledgeable. But back then there were far fewer books written.

ID4402476 asks:

Is feminism as a tool for empowering women still a force in our culture today, or do you think there is an element of fascism in the beauty industry which imposes an impossible beauty standard for women thus obscuring their value as women (independent of “what they look like”)?

User avatar for FayWeldon1 Guardian contributor

The universal camera has changed everything, Women are looked at wherever they go, street cameras, selfies, social media: the competition to look good has intensified. I don’t think we can blame outside forces, just ourselves, for caring too much about our appearance. It’s not the beauty industry alone – they’ve been at it for decades – it’s us.

onalongsabbatical asks:

What keeps you writing? Do you find that you’re still discovering new things in the process - about human beings, yourself, psychology, for instance? Are you, also, still learning about writing itself, or does it come easily now?

User avatar for FayWeldon1 Guardian contributor

It’s invention that keeps me going. I’m forever creating alternative universes to inhabit, while trying to link them up to ours. Actually, I think it’s an addiction. I remember sitting on a No 11 bus going up Fleet Street in 1967 writing The End (those were pen and paper days) and thinking but I could go doing this for the rest of my life. And so I did.

Updated

christine50 asks:

How to not lose your own identity/independence whilst in the midst of being a long-term carer? How is it, that society still expects women in the main, to accept the role of carer without complaint?

User avatar for FayWeldon1 Guardian contributor

I suspect you keep your independence and identity by complaining. You need respite care, you need better facilities, you need company, fun, entertainment like any other human being. Complain, battle, fight, achieve. Complain bitterly about a society that doesn’t want you to complain. All very well, you say. I know. As a fall-back, Open University?

"Non-belief can become a very stern religion in itself"

silvycz asks:

Can you expand on the idea that you find atheism depressing?

User avatar for FayWeldon1 Guardian contributor

I think they must find that rather depressing too. I certainly don’t want to impose my way of life on anyone else. If anyone said to me ‘convert or die’ I’d convert at once, I’m sorry to say. Atheists might well prefer to die! Non-belief can become a very stern religion in itself.

Updated

margeholly asks:

What was it that lead you to become a Christian and what choices would you have made differently had you become a Christian earlier in your life?

User avatar for FayWeldon1 Guardian contributor

I think we all need ritual and it’s better to spend Sunday morning acknowledging God, and praying for the sick and those ‘in any adversity’, than down the shopping mall worshipping Mammon. And I’ve always liked singing hymns. I wasn’t a Christian any earlier so I don’t know how it would have effected my choices, but no, I don’t think so. Christianity created the culture I was brought up in.

carlabp asks:

The first short story I’ve read from you is Weekend and I still remember how we worked through the story with my English teacher. So my question is: why do you think there are still in 2015 women like Martha ( in which group I am unfortunely included) who think everything is all our concern and even allow someone to call us an anti-rose person?

User avatar for FayWeldon1 Guardian contributor

Oh, blimey! I’ve always found the way to deal with criticism is to agree with the person who criticises. ‘Oh yes,me, I’m such an anti-rose person! I hate roses.’ It takes the wind out of their sails. There are still people like Martha in 2015 because the world so desperately needs Marthas and in certain situations yes, everything is indeed your concern. If it wasn’t for you everything would fall to bits. You sound like a very good nice person to me and I bet you’re more appreciated than you think.

philwoodford asks:

I recall that you were the advertising copywriter behind the slogan ‘go to work on an egg’. Do you think this type of persuasive commercial writing is somewhat under-rated? Or was it something you were glad to put behind you?

User avatar for FayWeldon1 Guardian contributor

Advertising is very effective. Consumers are not all that sensible, and if you say something often enough they tend to believe you. As a copywriter I learned to use my persuasive skills selling products, until I realised that I could use them just as well to sell ideas and I would be better occupied.

ID1566298 says:

I would like to thank you for your comments some years ago on the raw deal men were getting from the feminist backlash which affected many decent men who respected women but found themselves lumped in with the mysoginists. Your understanding of the crisis of masculinity was appreciated in its breadth of scope.

User avatar for FayWeldon1 Guardian contributor

Thank you for that. I think that crisis still exists, I think women underestimate their power to humiliate men and make them feel worthless (all men have mothers, after all). But it’s getting a bit better. Every second TV commercial isn’t about a stupid ugly man and a canny beautiful bird.

"If ‘feminism’ as a word has got itself a bad image, we have only ourselves to blame"

lily321 also asks:

I see myself as a feminist but often have difficulty explaining what one is? Can you offer a useful description ? Or should we just invent a new word altogether and start again?

User avatar for FayWeldon1 Guardian contributor

I think feminists need to create a world where a girl child is as welcome and valuable as a boy child. We don’t achieve this by scowling or snarling at men. If ‘feminism’ as a word has got itself a bad image, we have only ourselves to blame. You could always say ‘I’m a feminist – but in a good way!’

Updated

And we're off!

Fay is now answering your questions live – starting with this from lily321:

What advertising slogan would you write if you had to sell yourself?

User avatar for FayWeldon1 Guardian contributor

Reada Weldon Booka Day!
or
Go to Work on a Weldon!
come instantly to mind. Thanks.

Post your questions for Fay Weldon

Some of the short stories in Fay Weldon’s new collection, Mischief, stretch back 50 years, right to the start of her career when she was writing copy for adverts. Working with brilliantly economical slogans like “go to work on an egg”, she was soon taking on almost any literary form, from radio plays to TV scripts to journalism. And of course novels: the classic likes of Puffball and The Life and Loves of a She-Devil feature battles of the sexes whose wars still haven’t been won today. It’s all stemmed from a rich life, with numerous marriages, a late conversion to Christianity, and the teaching of hundreds of students in the craft of writing.

And as a new interview with the Guardian shows, her spark is undimmed as she takes on the big social questions. On sex: “We’re sedated by sex, by oxytocin. The only time women are really themselves is when they have PMT, and turn into people who are vile, nasty and mean.” On religion: “I find atheism infinitely depressing.” And at a time when women seem assailed by contradictory messages of how to live, she reminds us that it used to be worse still: “When I began, women needed to be taught the truth about love, babies, money, men. They seemed to know so little and be fed so many misapprehensions.”

Now it’s your chance to quiz her on anything in her long life and career, as she joins us for a live webchat from 1pm GMT on Wednesday 11 February. Post your questions in the comments below, and she’ll answer as many as possible.

Updated

 

Leave a Comment

Required fields are marked *

*

*